In the early 1980s, Fred took on the story that defined his career.
Ian Brady, the Moors murderer, had been in prison for nearly twenty years. At the time, he was the most notorious murderer in history.
His actions, along with those of his accomplice Myra Hindley, shocked the world. Kidnapping, torturing, and then murdering children. Two of his child victims had never been found to this day.
Two mothers were still waiting for news about their beloved children. The tabloids splashed Brady’s name across the front pages every other week, but only to sell copies. Nobody was helping those mothers.
Fred decided he would.
He managed to get Ian Brady to agree to meet him. He could have written one easy headline. “Our reporter meets the Moors murderer.” Career made. Editor delighted. End of story.
He didn’t. Because that would have shut the door on Brady forever, and those grieving mothers would have got nothing.
Fred lied to his news editor and didn’t tell him about the interviews (a sackable offence). He spent his Mondays off driving up to Gartree prison. He smuggled in a tape recorder hidden in a button on his jacket (highly illegal). And for months, he sat with a child killer, week after week, enduring his inane ramblings, working him slowly and gently towards the truth.
Eventually, Brady admitted there were other victims. He admitted his accomplice had been a willing partner. Fred handed it all to the Manchester police, who reopened the case and started digging on the moors again.
They found Pauline Reade. Her mother finally got to bury her child.
Think about what that cost Fred. Picture sitting across a table from the evilest man you probably can’t even imagine, month after month, swallowing your disgust so you can help two grieving mums.
Could you have done that? It’s not even a question most people should ever be asked.
These are the footsteps one walks in when you read Fred Harrisons works today.